state of the arts? (transparencies circa 2000) by John Sibby
 
 


Source: Deborah Harry Index of Galleries


i

out of context, it would seem justifiable to consider the trite meaningless examples of the media saturated, current flavor, trendy ranks.
adored by most, abhorred by few.
what a pathetic fallacy.
catchy phrases like legend, icon, diva are blurted out with careless abandon and are sadly rendered a shallow new meaning.
this interest is seemingly applicable to these contrived clichéd people who impose on our consciousness…
safe, hopelessly choreographed, state-of-the-art, prefab, poseur parody…contribution? yeah right, check back in, say, twenty-five years? ten minutes?...
enter one debbie harry through ambient distortion mingles seductively among us personifying burroughs’ meanderings and serving as a superb counterbalance by rejecting defunct mainstream ideology.
these angst-ridden narratives executed with point blank nyc swagger and grace are veiled with anti-marilyn sentiment.
classics like x-offender, rip her to shreds, sunday girl, union city, shala explore far beyond its girl group referencing and pent up mosaic sexuality.
they totter inadvertently in live show succession.
the dense contrast rests solely on the band’s ability to translate the intangible with multi-dimensional beauty.
origins hint of debbie’s decades old dream state reality of
mathematical equations, articulating exuberant colliding passages....
 

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